Kajian Literatur Perspektif Industri dan Teknologi Komunikasi Terhadap Perkembangan Media Audio

Evinsa Injany, Indah Restasari Agustina, Nadia Farah Lutfiputri

Abstract


Many people consume audio media every day, both intentionally and unintentionally. The development of communication technology, particularly the internet, has triggered the remaking of works of art, media, and the media sector. The same applies to audio media. This study attempts to investigate how concepts such as convergence, remediation, and the cultural industry affect audio media by observing the phenomenon of technological development and its impact on audio media. The three categories of audio media that are most frequently listened to by a large audience—radio, podcasts, and music—are the focus of this study. The literature review method is used in this study to find, gather, and retrieve research data. The literature review method identified 33 references relating to the growth of audio (radio, music, and podcasts), particularly in the context of Remediation, Convergence, and the Cultural Industries. In assessing the development of each sort of audio media, the perspectives of industry and communication technology are also considered. Technical advancements, the advent of the internet, and the strong rivalry among media firms have compelled the audio sector to remediate, converge, and follow the patterns of the cultural industry. The sophistication of electronic devices has also shaped the distribution patterns of the three types of audio that are synced with each other on interactive multiplatform social media. As a result, the expansion of radio, music, and podcasts has become difficult to disentangle.

Keywords


Industri Budaya; Konvergensi; Media Audio; Remediasi.

Full Text:

PDF

References


Adorno, T. W. (1990). On Popular Music. In On Record Rock, Pop and the Written Word (pp. 301–314). Routledge.

Adorno, T. W., & Bernstein, J. M. (2001). The Culture Industry: Selected Essays on Mass Culture. Routledge.

Arditi, D. (2019). Music Everywhere: Setting a Digital Music Trap. Critical Sociology, 45(4–5), 617–630. https://doi.org/10.1177/0896920517729192.

Balanuta, L. (2021). Podcast–Towards An Inclusive Definition. Acta Universitatis Danubius. Communicatio, 12(2), 31–41. https://dj.univ-danubius.ro/index.php/AUDC/article/view/1428/1755.

Barendregt, B., & van Zanten, W. (2002). Popular Music in Indonesia since 1998, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet. Yearbook for Traditional Music, 34, 67–113. https://doi.org/10.2307/3649190.

Berg, F. S. A. (2021). Independent podcasts on the Apple Podcast platform in the streaming era. MedieKultur: Journal of Media and Communication Research, 37(70), 110–130. https://doi.org/10.7146/mediekultur.v37i70.122390.

Berg, F. S. A. (2022). The tension between podcasters and platforms: independent podcasters’ experiences of the paid subscription model. Creative Industries Journal, 15(1), 58–78. https://doi.org/10.1080/17510694.2021.1890417.

Berry, R. (2015). A Golden Age of Podcasting? Evaluating Serial in the Context of Podcast Histories. Journal of Radio & Audio Media, 22(2), 170–178. https://doi.org/10.1080/19376529.2015.1083363.

Berry, R. (2016a). Podcasting: Considering the evolution of the medium and its association with the word ‘radio.’ Radio Journal: International Studies in Broadcast & Audio Media, 14(1), 7–22. https://doi.org/10.1386/rjao.14.1.7_1.

Berry, R. (2016b). Part of the establishment: Reflecting on 10 Years of Podcasting as An Audio Medium. Convergence: The International Journal of Research into New Media Technologies, 22(6), 661–671. https://doi.org/10.1177/1354856516632105.

Bolter, J. D., & Grusin, R. (2000). Remediation: Understanding new media. MIT Press.

Bonini, T. (2015). The ‘second age’of podcasting: Reframing podcasting as a new digital mass medium. Quaderns Del CAC, 41(18), 21–30. https://www.cac.cat/sites/default/files/2019-01/Q41_Bonini_EN_0.pdf.

Borg, J. (2021). What is the future of the music industry? Ten predictions for the next ten years. AmplifyYou. https://amplifyyou.amplify.link/2021/06/what-is-the-future-of-the-music-industry-ten-predictions-for-the-next-ten-years/.

Bottomley, A. J. (2020). Sound Streams: A Cultural History of Radio-internet Convergence. University of Michigan Press.

Bruenger, D. (2016). Making money, making music : History and core concepts (1st editio). University of California Press.

Canavillhas, J. (2012). From remediation to convergence: looking at the Portuguese media. Brazilian Journalism Research, 8(1), 7–21. https://doi.org/10.25200/BJR.v8n1.2012.406.

Chan-Olmsted, S., Wang, R., & Hwang, K.-H. (2022). Millennials’ Adoption of Radio Station Apps: The Roles of Functionality, Technology, Media, and Brand Factors. Journalism & Mass Communication Quarterl, 99(1), 262–288. https://doi.org/https://doi.org/10.1177/1077699020952111.

Creswell, J. W., & Creswell, J. D. (2018). Research design (5th ed.). SAGE Publications Ltd.

Croteau, D., & Hoynes, W. (2018). Media/Society: Technology, Industries, Content, and Users (6th editio). SAGE Publications Ltd.

Csathy, P. (2020). The Future Of Music: Where It Is Today & Where It’s Going In The Next Decade. Forbes. https://www.forbes.com/sites/petercsathy/2020/02/02/the-future-of-music-where-it-is-today--where-its-going-in-the-next-decade/?sh=2089253b707e.

Darmanto, Masduki, & Wiryawan, H. (2022). Radio Broadcasting and Indonesian Nationalism: During the Last Decade of Dutch Colonialism. Journal of Radio & Audio Media, 99(1), 104–119. https://doi.org/https://doi.org/10.1080/19376529.2022.2035730.

Evandio, A. (2021). Optimistis Industri Podcast Cerah, Noice Siapkan Strategi Ini. Bisnis.Com. https://ekonomi.bisnis.com/read/20210101/12/1337643/optimistis-industri-podcast-cerah-noice-siapkan-strategi-ini.

Grant, A. E. (2016). The Communication Technology Ecosystem. In A. E. Grant & J. Meadows (Eds.), Communication Technology Update and Fundamentals (6th Editio, pp. 1–8). Routledge. https://doi.org/9781315537245.

Graumann, C. F., & Kallmeyer, W. (2002). Perspective and perspectivation in discourse. John Benjamins Publishing.

Hammersley. (2004). Audible Revolution. The Guardian. https://www.theguardian.com/media/2004/feb/12/broadcasting.digitalmedia

Heinich, R., Molenda, M., & Russell, J. D. (1996). Instructional media and technologies for learning (5th Editio). Von Hoffman Press, Inc.

Ismadianto, Suyanto, Latifah, K., & Muchid. (2022). Transformation of Radio Technology in The Digital Age. Nyimak: Journal of Communication, 6(1), 115–130. https://jurnal.umt.ac.id/index.php/nyimak/article/view/5547/3207.

Jenkins, H. (2006). Convergence Culture: Where Old and New Media Collide. New York University Press.

Juwita, S. R., & Endah, S. N. (2019). Classification of Indonesian Music Using the Convolutional Neural Network Method. 2019 3rd International Conference on Informatics and Computational Sciences (ICICoS), 1–5. https://doi.org/10.1109/ICICoS48119.2019.8982470.

Kuyucu, M. (2019). Digital Convergence of Radio: Effects of Digitalization on Radio Media. 6th International Communication Days Digital Transformation Symposium, 466–495.

Lai, R. (2020). The Commodification of Music in the Age of Curated Experience [University of Texas at Austin]. https://repositories.lib.utexas.edu/handle/2152/81238.

Laor, T. (2021). How does it ‘sound’? Audiences, broadcasters, and managers on visual radio in Israel. Convergence: The International Journal of Research into New Media Technologies, 27(4), 1038–1054. https://doi.org/10.1177/1354856520942404.

Laughey, D. (2007). Key Themes in Media Theory. Open University Press/McGraw-Hill.

Liebowitz, S. J. (2006). Economists Examine File Sharing and Music Sales. In G. Illing & M. Peitz (Eds.), Industrial Organization and the Digital Economy (pp. 145–173). MIT Press.

Lindsay, J. (1997). Making Waves: Private Radio and Local Identities in Indonesia, Language and Media. Language & Media, 64, 105–123.

Long, P., & Wall, T. (2012). Media Studies: Text, Production, and Context (2nd Editio). Routledge.

MacLennan, A. F. (2020). Editor’s Remarks: Celebrating 100 Years of Radio Broadcasting! Journal of Radio & Audio Media, 27(2), 187–190. https://doi.org/10.1080/19376529.2020.1831864.

Maxwell, M. G. (2015). Machine Tool Operation, Weekly Indie Music Podcast: Independent Music From SoundCloud Users. Journal of Radio & Audio Media, 22(2), 348–351. https://doi.org/10.1080/19376529.2015.1083381.

McHugh, S. (2014). Audio Storytelling. Asia Pacific Media Educator, 24(2), 141–156. https://doi.org/10.1177/1326365X14555277.

Metzger, P. (2016). The Millennial Whoop: A Glorious Obsession With The Melodic Alternation Between The Fifth And The Third. The Patterning. https://thepatterning.com/2016/08/20/the-millennial-whoop-a-glorious-obsession-with-the-melodic-alternation-between-the-fifth-and-the-third/.

Moe, M. (2021). Podvertising II: “Just like My Best Friend” – Relationships in Host-read Podcast Advertisements. Journal of Radio & Audio Media, 1–25. https://doi.org/10.1080/19376529.2021.1960840.

Moore, R. (2012). Digital Reproducibility and the Culture Industry: Popular Music and the Adorno-Benjamin Debate. Fast Capitalism, 9(1), 75–88. https://doi.org/10.32855/fcapital.201201.010.

O’Neill, B. (2008). Digital Radio Policy in Canada: From Analog Replacement to Multimedia Convergence. Journal of Radio & Audio Media, 15(1), 26–40. https://doi.org/10.1080/19376520801978126.

Octavia, E. R. (2018). The Existence Of Radio As Advertising Media In Indonesia Within The Internet Era. Proceedings of the 3rd International Conference on Creative Media, Design and Technology (REKA 2018), 333–338. https://doi.org/http://dx.doi.org/10.2991/reka-18.2018.73.

Press, G. (2015). A Very Short History of Digitization. Forbes. Forbes. https://www.forbes.com/sites/gilpress/2015/12/27/a-very-short-history-of-digitization/?sh=73f20ea149ac.

Prey, R. (2018). Nothing personal: algorithmic individuation on music streaming platforms. Media, Culture & Society, 40(7), 1086–1100. https://doi.org/10.1177/0163443717745147

Prey, R., Esteve Del Valle, M., & Zwerwer, L. (2022). Platform pop: disentangling Spotify’s intermediary role in the music industry. Information, Communication & Society, 25(1), 74–92. https://doi.org/10.1080/1369118X.2020.1761859.

Primasita, F. A., Susilorini, & Kusciati, K. P. (2016). Perception toward the construction of women’s body and sexuality in the video clips of Indonesian women pop singers. SEARCH Journal of Media and Communication Research, 8(1), 78–104. https://www.researchgate.net/publication/298713965_Perception_toward_the_construction_of_women’s_body_and_sexuality_in_the_video_clips_of_Indonesian_women_pop_singers.

Reed, T. V. (2019). Digitized lives: Culture, Power and Social Change in the Internet Era (2nd Editio). Routledge.

Riyanto, E. D., & Dewi, A. S. (2020). Via Vallen Phenomenon: Emergence of the New Queen of Cosmopolitan Koplo. Popular Entertainment Studies, 11(1–2), 66–80.

Shahid, S. H., & Ali, Z. (2017). Effects of video-podcasts on listening comprehension of Saudi EFL learners. European Journal of English Language Teaching, 2(4), 169–194. https://doi.org/10.5281/zenodo.891143.

Singarimbun, K., Karlinah, S., Darwis, Y., & Hidayat, D. R. (2023). Indonesian radio business model: radio network. Journal of Media Business Studies, 20(1), 93–108. https://doi.org/10.1080/16522354.2021.2024983.

Snyder, H. (2019). Literature review as a research methodology: an overview and guidelines. Journal of Business Research, 333–339. https://doi.org/https://doi.org/10.1016/j.jbusres.2019.07.039.

Tejkalova, A. N., Gheorghiev, O., Supa, M., & Nainova, V. (2021). Children and the Radio: Who Should Listen to Whom?. Journalism Practice. https://doi.org/https://doi.org/10.1080/17512786.2021.2011377.

U.S. Fire Administration. (2016). Voice Radio Communications Guide for the Fire Service. U.S. Department of Homeland Security.

United Nations Development Programme. (2004). UN Social Economic Council’s Report of the International Telecommunication Union on information and communication technologies statistics. https://digitallibrary.un.org/record/515803?ln=en.

Vonderau, P. (2019). The Spotify effect: Digital distribution and financial growth. Television & New Media, 20(1), 3–19. https://doi.org/https://doi.org/10.1177/1527476417741200.

Wade Morris, J. (2021). Infrastructures of discovery: examining podcast ratings and rankings. Cultural Studies, 35(4–5), 728–749. https://doi.org/10.1080/09502386.2021.1895246.

Wadegaonkar, D. W. (1981). Concept of Industry. Journal of the Indian Law Institute, 23(3), 400–420. https://www.jstor.org/stable/43950760.

Waldfogel, J. (2017). How Digitization Has Created a Golden Age of Music, Movies, Books, and Television. Journal of Economic Perspectives, 31(3), 195–214. https://doi.org/10.1257/jep.31.3.195.

Wang, R. (2021). Reasons and Influences in Music Communication with Traditional Broadcast in the Context of Media Convergence. Advances in Social Science, Education and Humanities Research, 697–702. https://doi.org/10.2991/assehr.k.220105.128.

Weintraub, A. N. (2013). The Sound and Spectacle of Dangdut Koplo: Genre and Counter-Genre in East Java, Indonesia. Asian Music, 44(2), 160–194. https://www.jstor.org/stable/24256937.

Zhang, Q., & Negus, K. (2021). Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization. Popular Music and Society, 44(5), 539–557. https://doi.org/https://doi.org/10.1080/03007766.2021.1921909.

Zuidervaart, L. (2015). Theodor W. Adorno (Stanford encyclopedia of philosophy). Stanford Encyclopedia of Philosophy. https://plato.stanford.edu/archives/win2015/entries/adorno/.




DOI: https://doi.org/10.36080/ag.v11i1.2327

Refbacks

  • There are currently no refbacks.


Copyright (c) 2023 Avant Garde

Creative Commons License
This work is licensed under a
Creative Commons Attribution-ShareAlike 4.0 International License. Visit to our university official website: www.budiluhur.ac.id