Konstruksi Keindonesiaan Dalam Film Tjokroaminoto

Abstract

This study uses critical discourse analysis method that aims to reveal the meaning
of Indonesian keynthones in Tjokroaminoto Guru Bangsa film. The results show
that the representation of meaning at Indonesian level at the text level is a
representation of the dominance of ethnic or racial tribes of Europe and Arabia
and subordinan tribes or races of Javanese, Chinese, Sundanese and do not have
citizenship. At the messo level the purpose of the film production system is the
goal of Tjokroaminoto's historical reconstruction based on the spirit of Islam as
the basis for the struggle. At the macro level shows the construction of national
leadership is a rational effort in order to fulfill party politics based on the spirit of
keindonesiaan. Keindonesiaan is the essence of the teachings of cultural Islam
that upholds human values in order to realize the concept of hijra or civil society
in Indonesia.